Rosco is the industry standard, Lee is more durable, but Gam is still my favorite. The swatch book had an easy layout and 4x4 pieces made lighting design much easier.
The Drama would throw away all the lighting gel at the end of the season. (I last worked there in 1993, and I still have 20 or so fragmented sheets.) My first apartment needed dressing up, so I cut gel into random shapes, overlaid colors and attached them to my windows. The kitchen went from vague weak white to amber sepia like Auntie Em’s kitchen. It was warm and generous though I never made anything more extravagant than scrambled eggs or Ramen noodles. The living room windows had different color themes in each; a blue one, a purple one, a red one. Sunlight filtered through making faux stained glass puddles on the floors and walls. My bedroom was shades of yellow. I had heard that yellow was the color of hope, so I wanted to see it first every day. A friend visiting for the first time said she didn’t need directions. She knew exactly where my apartment was. The colorful windows were easily seen from the street and she just knew that had to be my home.
The sun shines low through the southern windows during winter in my current home. For the sake of energy efficiency, I need to cover them in plastic. I had used sheets of lighting gel to remember that first home compliment.
‘My love, she comes in colors’- I had hoped that song was about me.
I used my Gam swatch book when I didn’t have the proper filter for my camera- magenta for shooting under fluorescent lights, blue for tungsten. I miss my 35mm very very much. I could spend hours watching in one spot for the perfect shot. Successful days were rated by rolls of film. Three was an exceptional day. Five and I might not be heard from for more than a week while I examined every tiny detail to narrow down my favorites.
I would play with my polarizer and color filters, especially with snowy shots. Somewhere I have a set of blue, and red icicle covered waterfalls in an ice storm in Watkins Glen, NY. Dan, Bill and I didn’t care about the treacherous road conditions. We wanted to play with color and snow. Sunsets are made more vivid by filtering out some of the excess color. Tree bark becomes abstract confusion; a wine glass, clear but red, and empty.
My camera sits in its dusty bag. It has a jammed shutter and I can not justify the cost of repairing it. I sold most of the filters for grocery money. I still have my Gam book – just in case. Every few years, I get out my old pictures and miss my days of dancing with color and light.
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